![]() ![]() By the late 19th and early 20th century, however, blurring the edges between music and the other arts had become a widespread obsession. The Romantics had their own, similar, thoughts: Goethe declared that architecture was "frozen music", and the mid-Victorian über-aesthete Walter Pater breathlessly announced that "all art aspires towards the condition of music". ![]() The Pythagoreans were probably the first westerners at it when they declared: "The eyes are made for astronomy, the ears for harmony, and these are sister sciences." This relatively simple proposition was taken up by medieval and later sages, who developed it into a vast intellectual undergrowth of arcane and convoluted theories of how music and the mathematical proportions of creation were one and the same. P laying with the boundaries between the visual and the musical is an old game.
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